| Course Contents |
| This course covers the historical development of Turkish Religious Music, the stages it went through during this development process, the forms of Turkish Religious Music and the examples and applications of these forms.
|
| Weekly Course Content |
| Week |
Subject |
Learning Activities and Teaching Methods |
| 1 |
Definition of Music, Formation, Content and Correct Use of Sound and Breath |
1: Lecture, 2: Drilland Practice, 3: Motivations to Show, |
| 2 |
The Place and Importance of Music in Islam, Introduction of the Saba Maqam |
1: Lecture, 2: Drilland Practice, 3: Motivations to Show, |
| 3 |
Music in Turks Before Islam, Application of Saba Maqam on Religious Musical Forms |
1: Lecture, 2: Drilland Practice, 3: Motivations to Show, |
| 4 |
Music Studies in the Early Islamic World, Introduction of Rast Maqam |
1: Lecture, 2: Drilland Practice, 3: Motivations to Show, |
| 5 |
11.-14. Music Between the Centuries, Application of Rast Maqam on Religious Musical Forms |
1: Lecture, 2: Drilland Practice, 3: Motivations to Show, |
| 6 |
Music in the Ottoman Period (15th, 16th and 17th Centuries)
Introduction of Hijaz Maqam |
1: Lecture, 2: Drilland Practice, 3: Motivations to Show, |
| 7 |
Music in the Ottoman Period (18th and 19th Centuries),Application of Hijaz Maqam on Religious Musical Forms |
1: Lecture, 2: Drilland Practice, 3: Motivations to Show, |
| 8 |
mid-term exam |
|
| 9 |
Features of Mosque and Tekke Music Forms, Introduction of Segah Maqam and Tekbir, Salat - Ummiye, |
1: Lecture, 2: Drilland Practice, 3: Motivations to Show, |
| 10 |
Mosque Music Forms (Quran, Azan, Salah) , Segah Maqam on Religious Musical Forms |
1: Lecture, 2: Drilland Practice, 3: Motivations to Show, |
| 11 |
Mosque Musical Forms (Terawih Arrangement, Temcid-Münaacat, Mevlid, Miraciye), Introduction of Uşşak Maqam |
1: Lecture, 2: Drilland Practice, 3: Motivations to Show, |
| 12 |
Tekke Music Forms (Ism-i Celal, Durak, Elderiye, Nefes, Sayish), Uşşak Maqam on Religious Musical Forms |
1: Lecture, 2: Drilland Practice, 3: Motivations to Show, |
| 13 |
Tekke Music Forms (Mevlevî Rite, Salati Kemaliye, Gülbank), Introduction of Hüseyni Maqam |
1: Lecture, 2: Drilland Practice, 3: Motivations to Show, |
| 14 |
Mosque and Tekke Music Common Forms (Naat, Kaside, Tevşih), Hüseyni Maqam on Religious Musical Forms |
1: Lecture, 2: Drilland Practice, 3: Motivations to Show, |
| 15 |
Mosque and Tekke Music Common Forms ( Divine, Şuğul), Nihavent Maqam on Religious Musical Forms |
1: Lecture, 2: Drilland Practice, 3: Motivations to Show, |
| 16 |
final exam |
|
| Recommend Course Book / Supplementary Book/Reading |
| 1 |
Turabi, A.H. (Edt.), (2017). Türk din musikisi el kitabı. İstanbul: Grafiker Yayınları. |
| 2 |
Sarı, M.A. (2013). Kur'an-ı Kerim ve dinî musiki. İstanbul: Marmara Üniv. İlahiyat Fak. Yayınları. |
| 3 |
Ateş, E. (2019). Türk din musikisi. İstanbul: Dergâh Yayınları. |
| 4 |
Sezikli, U., (2013), Makamlarla Türk Din Musikisi Eğitim Seti, Dört Mevsim Yayınları. |
| 5 |
Tıraşcı, M., (2017), Türk Musikisi Nazariyatı Tarihi, Kayıhan Yayınları. |
| Required Course instruments and materials |
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