Nevşehir Hacı Bektaş Veli University Course Catalogue

Information Of Programmes

INSTITUTE OF SOCIAL SCIENCES / GİT 526 - VISUAL COMMUNICATION AND DESIGN (MASTER)

Code: GİT 526 Course Title: SPACE, PERCEPTION AND ART Theoretical+Practice: 3+0 ECTS: 6
Year/Semester of Study 1 / Spring Semester
Level of Course 2nd Cycle Degree Programme
Type of Course Optional
Department VISUAL COMMUNICATION AND DESIGN (MASTER)
Pre-requisities and Co-requisites None
Mode of Delivery Face to Face
Teaching Period 14 Weeks
Name of Lecturer SERAP SEVGİ ÜNKARACALAR (sevgiunkaracalar@nevsehir.edu.tr)
Name of Lecturer(s)
Language of Instruction Turkish
Work Placement(s) None
Objectives of the Course
This lesson within the scope; confident, by discussing spatial thinking, perception and art concepts, It is aimed to raise individuals who can think and produce interdisciplinary.

Learning Outcomes PO MME
The students who succeeded in this course:
LO-1 Explain the changes and transformations of spatial thinking, perception and art concepts. PO-1 Students will be able to use terminology, problem solving skills, technical and method knowledge to evaluate art and design on a common basis.
PO-5 Students will be able to define the sociological philosophical and historical process of human existence in the cultural dimension.
PO-8 Interdisciplinary and interdisciplinary cooperation.
Examination
LO-2 They will be able to interpret the definition, concept and history of space and perception by combining them with art. PO-1 Students will be able to use terminology, problem solving skills, technical and method knowledge to evaluate art and design on a common basis.
PO-8 Interdisciplinary and interdisciplinary cooperation.
Examination
PO: Programme Outcomes
MME:Method of measurement & Evaluation

Course Contents
Art is a process or a spatial fiction that begins to be understood through perception. can be said. Spatial fiction is limited by the realities or objects of the external world. It is a spiritual formation area based on perception rather than a drawn volume. Changing perception and art Along with the trends, the fields in the presentation of art have begun to change. This lesson within the scope; confident, by discussing spatial thinking, perception and art concepts, It is aimed to raise individuals who can think and produce interdisciplinary.
Weekly Course Content
Week Subject Learning Activities and Teaching Methods
1 Information about course introduction and content Discussion Method Method of Narration Case Study Method
2 Learning, seeing, and cognitive processes Discussion Method Method of Narration Case Study Method
3 Visual perception and cognition Discussion Method Method of Narration Case Study Method
4 Visual perception and psychology Discussion Method Method of Narration Case Study Method
5 Perception and reaction Discussion Method Method of Narration Case Study Method
6 Artwork and reaction Discussion Method Method of Narration Case Study Method
7 Artwork, artist and contextual relationships Discussion Method Method of Narration Case Study Method
8 mid-term exam
9 Artistic perception Discussion Method Method of Narration Case Study Method
10 Space and space in art Discussion Method Method of Narration Case Study Method
11 Examining examples of art and space Discussion Method Method of Narration Case Study Method
12 Artistic and spatial perception processes Discussion Method Method of Narration Case Study Method
13 Perception transfer between the artist and the audience Discussion Method Method of Narration Case Study Method
14 Perceptual awareness Discussion Method Method of Narration Case Study Method
15 The role of perception Discussion Method Method of Narration Case Study Method
16 final exam
Recommend Course Book / Supplementary Book/Reading
1 Powell, B.B. (1998). Classical Myth. Prentice Hall: New Jersey Dutton, D.(2010) . The Art Instinct: Beauty, Pleasure, and Human Evolution. Oxford University Press: Chippenham, UK
2 Snowden, R., Snowden, R. J., Thompson, P., & Troscianko, T. (2012). Basic vision: an introduction to visual perception. Oxford University Press.
3 Arnheim, R. (1965). Art and visual perception: A psychology of the creative eye. Univ of California Press.
Required Course instruments and materials
computer, projection

Assessment Methods
Type of Assessment Week Hours Weight(%)
mid-term exam 8 2 40
Other assessment methods
1.Oral Examination
2.Quiz
3.Laboratory exam
4.Presentation
5.Report
6.Workshop
7.Performance Project
8.Term Paper
9.Project
final exam 16 2 60

Student Work Load
Type of Work Weekly Hours Number of Weeks Work Load
Weekly Course Hours (Theoretical+Practice) 3 14 42
Outside Class
       a) Reading 7 7 49
       b) Search in internet/Library 7 7 49
       c) Performance Project 0
       d) Prepare a workshop/Presentation/Report 5 2 10
       e) Term paper/Project 0
Oral Examination 0
Quiz 0
Laboratory exam 0
Own study for mid-term exam 10 1 10
mid-term exam 2 1 2
Own study for final exam 10 1 10
final exam 2 1 2
0
0
Total work load; 174