| Course Contents |
| This lesson covers technical exercises and etudes in stages, examples of Turkish and World composers' works, instrument-specific literature in accordance with individual development, and learning-teaching activities in school music education. |
| Weekly Course Content |
| Week |
Subject |
Learning Activities and Teaching Methods |
| 1 |
guitar-The purpose, content, study method and evaluation of the target behaviors are explained with the students. piano--Remembering the scales, etudes and works learned in the previous semester. Scale, cadences, long-short arpeggio and octave chord cycles in A flat major and F minor tones. violin-2. Theoretical information and studies on the subject viola-General Review of the Subjects Learned in the Last Semester contrabass-5. The song "I'm at the Beginning of the Stream" in the 9/16 weighing pattern Clarinet-Clarinet Maintenance: Changing the springs of the clarinet frets, flute-Tone exercises. M. Moyse La Sonarite voice-5, 6-string arpeggio and sequential staccato-legato exercises. Cello-General Review of the Topics Learned in the Last Semester |
Narration, Question and Answer, Playing an Instrument, |
| 2 |
guitar-Pizzicato rasquado and golpe techniques piano-La flat Major scale, arpeggio and chord cycles and cadence. Deciphering and decorations of the First Study. violin-2. C major scale exercises in position, practice with tied and untied bow types viola-Exercises in II. Position double bass-6. "Yayla Yolları" ballad clarinet-Tone development exercises in 9/16 weighing pattern. flute-tone and 1 octave scale exercises. Determining the repertoire within the semester. Ses-5, 6-arpeggios and sequential staccato-legato exercises are sample works. Cello-Pouce Position Studies in I Pouce Position |
Narration, Question and Answer, Playing an Instrument, |
| 3 |
guitar-Three octave monophonic and different dichotomous scale studies piano-La flat Major scale, cadence, arpeggio and chord cycles. Voice acting by considering the technical features of the First Study. Baroque period music features and decorations. violin-2. 2 octave B flat major scale and etude studies in 2 octave B flat major viola-I.Position II.Position Transition Knowledge and Applications contrabass-2 Octave F major and F minor scales and arpeggios baglama "Dimidan" ballad in 9/16 weighing mold clarinet-Respiratory development, studies on improving intonation in high pitched voices. flute-scale study. Etude study including different flute techniques. Baroque flute music. Deciphering of Baroque Sonata. Ses-5, 6-beat, octave arpeggio and sequential staccato-legato exercises are sample works. Cello-Do Key Info. |
Narration, Question and Answer, Playing an Instrument, |
| 4 |
guitar-Renaissance period performance piano-F minor scale, cadence, arpeggio and chord cycles. Deciphering polyphonic works and ornaments. violin-2. Etude studies in different tones in position viola-I.Position II.Position Transition F Major Array Contrabass-1st and 6th Position Etudes with technical features between Baglama-9/16 weighing mold “I Have Honey in the Market, My Bride” ballad clarinet-E Flat A flute-Gam practice with the scale sounds of Major, C minor and E Major scales. Study of different flute techniques and hexadecimal note value. Baroque style features. voice-Octave, 9-, 12-point arpeggio and sequential staccato-legato exercises and sample works. Cello-Ornaments Multiplication, mordant, trill etc. recognizing the decorations and correctly vocalizing exercises. |
Narration, Question and Answer, Playing an Instrument, |
| 5 |
Studies on guitar-Mordan grupetto, apogiatur, glisando and chord connections. piano-F minor scale, cadence, arpeggio and chord cycles. Deciphering the period pieces suitable for vocalization and middle pedal use, considering the characteristics of the baroque period in polyphonic work, violin-1 and 2nd position transitive etudes viola-I.Position II.Position Transition E flat major scale double bass-i-Etudes suitable for level-9 Clarinet - Arpeggio and interval exercises in E Flat Major, C minor and E Major tones for the folk song "The Way of Dirmilcik goes to the Plateau" in a /16 scale. Studying basic flute techniques through flute scale and etude. Performing the studied work for the characteristics of the period (Baroque period). articulation in voice-voice education. Cello-Baroque Period Works. |
Narration, Question and Answer, Playing an Instrument, |
| 6 |
Guitar-Examination of the form and musical aspects of works on the studied techniques. piano-D flat Major scale, cadence, arpeggio and chord cycles. Classical period music features. violin-Etudes and works containing the learned positions. Viola-I.Position II.Position Transitional C minor scale double bass-level etudes. 2 Octave G major and G minor scales and arpeggios baglama 9/16 weighing mold "Goca Çamın Roar Dal Ilen" ballad clarinet-Exercise and musical etudes in E Flat Major, C minor and E Major tones. flute-Scale exercises in different articulations. Different articulation (staccato, monolingual and bilingual) studies through etudes and works. sound-Producing sound with correct intonation, amplifying sound in resonance regions. Cello-Terms of Expression and Velocity II |
Narration, Question and Answer, Playing an Instrument, |
| 7 |
guitar-Classical Period work piano-B flat minor scale, cadence, arpeggio and chord cycles. Performing a classical period piece by paying attention to its nuances according to its form and period characteristics. violin-Etude studies with different rhythm and bow techniques viola-I. II. III. Studies with Transition Between Positions To learn about the features of the double bass-Sonata form, the period of the piece and its composer. Choosing the piece, "Bağma", "The Dere Comes" folk song in 9/16 weighing pattern, clarinet-Deciphering a duet in E-flat Major, C minor and E-Major tones. flute-2 octave scale exercises. Studying the flute techniques in etudes. Artwork work. sound-Producing sound with correct intonation, amplifying sound in resonance regions. Cello-Mixed Bow Techniques |
Narration, Question and Answer, Playing an Instrument, |
| 8 |
mid-term exam |
|
| 9 |
guitar-Tremolo technique piano-B flat minor scale, cadence, arpeggio and chord cycles. Performing a classical period piece by paying attention to its nuances according to its form and period characteristics. Violin-Decorative playing (Trille, percussion, mordant, etc.) viola-Position reinforcing exercises in different tones, scales and techniques contrabass-Connecting a piece in sonata form-Examination of Zeybek Attitude clarinet-Clarinet Concertino form, determining a piece suitable for the level. flute-Scaling in different articulations, studying flute techniques (legato, staccato, arpeggio, interval) in etudes. Study of the Romantic period work. Staccato and legato exercises and sample works to support audio-Register transitions. Cello-Exercise Studies |
Narration, Question and Answer, Playing an Instrument, |
| 10 |
guitar-Romantic Period vocalization piano-Reverse chromatic scale (Re note). Deciphering of Contemporary Turkish Music. violin-Simple trill studies viola-I. II. III. Sequence Studies with Transition Between Positions Contrabass-Sonata tying-Concertino piece interpretation flute for Eskişehir Zeybeği clarinet-Clarinet Elements to be considered in stage performance and works on performing the pieces on stage. Preparation for classroom concerts. exercises and sample works to support audio-Accelite studies. Cello-Vibrato Technique Knowledge I. Vibrato Technique Development Studies |
Narration, Question and Answer, Playing an Instrument, |
| 11 |
Guitar-The interpretation of the works according to the composer and style characteristics of the period. piano-Reverse chromatic scale (Re note). Performing a Contemporary Turkish Music piece by paying attention to its period feature, nuances and harmonic structure. violin-Staccato etude studies viola-Ornaments Types and Applications contrabass-Portato bow technique knowledge baglama-Kozak Zeybeği clarinet-Clarinet Concertino work interpretation flute-Finger technique and acalite study (Trewor Wye – Volume 2- (Technical) – pg 68-70. Machiavellian Exercises- I) Period and style features in voice-voiced works. Cello-E Flat Major Tonality Information . Studies in E Flat Major. |
Narration, Question and Answer, Playing an Instrument, |
| 12 |
guitar-Contemporary period piece vocalization piano-Inverted chromatic scale (La flat note). Decipherment of the second study. violin-Etudes and works in the learned bow technique. Viola-Expression and Velocity Terms, double bass-Vibrato technique knowledge. Baglama-Kadıoğlu Zeybeği clarinet-Etudes in E Flat Major, C minor and E Major scales, accelerating arpeggios and intervals, metronome studies flute-Scale studies in different articulations, different rhythm patterns and flute techniques (dual language). Performing a romantic period piece according to its style characteristics. sound-Period and style features in the works performed. Cello-C Minor Tonality Knowledge. Studies in C minor |
Narration, Question and Answer, Playing an Instrument, |
| 13 |
Guitar-Study of the obligatory piece of the period. Examining the piece in terms of technique and expression violin-Major and minor arpeggio and etude studies piano-Repetition of scale, cadence, arpeggio, octave chord cycles and reverse chromatic scales in all learned tones. Performing the second study by paying attention to its technical features. viola-Vibrato” Technique Knowledge of contrabass-The etudes studied and musically vocalization of the piece in accordance with its technique and period-tying-Kocaarap Variation clarinet-All intervals Chromatic studies flute-B Major – G sharp minor / D flat Major – B flat minor scales will cover all octaves of the flute straight sequence, arpeggio, chromatic, trio etc. in different articulations. doing their work. technical and musical analysis in audio-works. Cello-Technical and Musical Problems and Solutions |
Narration, Question and Answer, Playing an Instrument, |
| 14 |
Guitar-Examination of the form and musical aspects of works on the studied techniques. piano-Repetition of scale, cadence, arpeggio, octave chord cycles and reverse chromatic scale in all learned tones. Consolidation of the second study and Contemporary Turkish work. violin-Melodic-ornamented playing practices viola-Double-voice and scale studies suitable for the level double bass-Performing the studied etudes and the piece musically in accordance with its technique and period connecting-Yağcılar Zeybeğ clarinet-Interpreting solo clarinet works in different forms flute-Exam Working in line with the style characteristics of the period. technical and musical analysis in audio-works. Cello-Intonation Studies |
Narration, Question and Answer, Playing an Instrument, |
| 15 |
Guitar-Solution of musical and technical problems and general repetition. piano-Repetition of scale, cadence, arpeggio, octave chord cycles and reverse chromatic scale in all learned tones. Reinforcing the works and etudes studied during the term in line with their technical and musical characteristics violin-Etude and work studies viola-End of term etudes and works practice studies and accompanying works double bass-Preparation for the end-of-semester exam baglama-Al Yazma” and “Kerimoğlu Zeybeği clarinet-Exam scale , etudes and works at their pace. Flute-Exam scales, etudes and works at their pace. sound-correpection. cello-General Review and Preparation for the Final |
Narration, Question and Answer, Playing an Instrument, |
| 16 |
final exam |
|
| Recommend Course Book / Supplementary Book/Reading |
| 1 |
AYDINTAN,Z. (1999) Gitar Metodu II Ankara: Evrensel Müzikevi |
| 2 |
K., Öztürk,F.G. (2009).Şan İçin Piyano Eşlikli Şarkılar I(1.b), Müzik Eğitimi Yayınları, Ankara. |
| 3 |
Larsen, L.R.(ed.). (1991). Arias for Baritones, G. Schırmer: New York. |
| 4 |
Şimşek, G. (1997). Şan İçin Piyano Eşlikli Albüm, Ankara. |
| 5 |
Tuğcular, E. (2011). Şan İçin Piyano Eşlikli Türküler, Müzik Eğitimi Yayınları, Ankara. |
| Required Course instruments and materials |
| Lecture notes, computer and instruments |
