Course Contents |
Among the topics of this course include the rise of Christianity in Cappadocia, its historical events, settlements, art and architecture. This course will especially introduce to students local workshops of wall paintings, rural settlements and the reflection of social changes in the Byzantine Cappadocia. |
Weekly Course Content |
Week |
Subject |
Learning Activities and Teaching Methods |
1 |
Introduction |
narration |
2 |
Late Antique and Byzantine Periods of Cappadocia: Historical Geography |
narration, slide presentation |
3 |
Late Antique and Byzantine Periods of Cappadocia: Settlements, Architecture |
narration, slide presentation |
4 |
Late Antique and Byzantine Periods of Cappadocia: Wall Paintings |
narration, slide presentation |
5 |
Society of the Late Antique and Byzantine Cappadocia: Settlement, Architecture, Wall Painting |
student presentation, discussion, question and answer teaching method. |
6 |
Society of the Late Antique and Byzantine Cappadocia: Settlement, Architecture, Wall Painting |
student presentation, discussion, question and answer teaching method. |
7 |
Society of the Late Antique and Byzantine Cappadocia: Settlement, Architecture, Wall Painting |
student presentation, discussion, question and answer teaching method. |
8 |
mid-term exam |
|
9 |
Society of the Late Antique and Byzantine Cappadocia: Settlement, Architecture, Wall Painting |
student presentation, discussion, question and answer teaching method. |
10 |
Society of the Late Antique and Byzantine Cappadocia: Settlement, Architecture, Wall Painting |
student presentation, discussion, question and answer teaching method. |
11 |
Society of the Late Antique and Byzantine Cappadocia: Settlement, Architecture, Wall Painting |
student presentation, discussion, question and answer teaching method. |
12 |
Society of the Late Antique and Byzantine Cappadocia: Settlement, Architecture, Wall Painting |
student presentation, discussion, question and answer teaching method. |
13 |
An excursion to Cemil Archangels monastery, Sobesos, Mavrucandere. |
discussion, question and answer teaching method. |
14 |
Final presentation |
student final presentations |
15 |
Final presentation |
student final presentations |
16 |
final exam |
|
Recommend Course Book / Supplementary Book/Reading |
1 |
Ousterhout, R. G. (2017). Visualizing community: Art, material culture, and settlement in Byzantine Cappadocia. Dumbarton Oaks Research Library and Collection. |
2 |
Jolivet-Levy, C. (1991). Les églises byzantines de Cappadoce : le programme iconographique de l'abside et de ses abords, Presses du CNRS, diffusion, Paris. |
3 |
De Jerphanion, G. (1925-1942). Une nouvelle province de l'art byzantin: les églises rupestres de Cappadoce (Vol. 5). P. Geuthner. |
4 |
Jolivet-Levy, C. (2001). La Cappadoce médiévale. Paris. |
5 |
Rodley, L. (2010). Cave Monasteries of Byzantine Cappadocia. Cambridge University Press. |
6 |
Restle, M. (1967). Byzantine wall painting in Asia Minor (Vol. 1-3). New York graphic society. |
7 |
Ousterhout, R. G. (2005). A Byzantine settlement in Cappadocia (No. 42). Dumbarton Oaks. |
8 |
Peker, N. (2020). Agricultural production and installations in Byzantine Cappadocia: a case study focusing on Mavrucandere. Byzantine and Modern Greek Studies, 44(1), 40-61. |
9 |
Hild, F., & Restle, M. (1981). Kappadokien:(Kappadokia, Charsianon, Sebasteia und Lykandos) (Vol. 2). Verlag d. Österreich. Akademie d. Wissenschaft. |
10 |
Cooper, E., & Decker, M. J. (2012). Life and society in Byzantine Cappadocia. Springer. |
Required Course instruments and materials |
projector |